A creative and motion broth into which I’ve poured tasty morsels of projects both big and small, silly and serious.

Conjured up by the great minds at Redwood BBDO, this campaign showed how Google reviews can revive local businesses. 


I created the motion assets for the TV ad, as well as all socials across Facebook twitter, snapchat and Instagram.

We Got Game is a new platform designed to elevate the profile of women’s cricket and welcome more young women and girls into the game to drive greater gender balance.

Playing off a colourful scrapbook brand aesthetic, I created these animations for social channels.

Working with some amazing illustrators from Iris, I created these animations that would be used in a film to be shown at the COP26 conference in Glasgow.

A collection of bits from my time working with the lovely people of BBC Creative.

I created a motion identity to help bring a medical product rebrand to life.

A launch video for Eighty – A growth academy that equips leaders and their teams with the skills to defy ordinary.

I art directed these videos that promoted new ways to explore with Google maps.

Earlier this year, I was fortunate enough to work with the wonderful people at Consider Creative.

This animation celebrated their client ACCA reaching the milestone of 250,000 members worldwide.

I animated these social posts to promote The Light Salon – the UK’s first affordable, express LED facial offering.

Working with the clever people over at Odd London. I created this animation to showcase the unrivalled features and range of the Eastpak travel bags.

William Fortnum was a footman in the household of Queen Anne. The royal family’s insistence on having new candles every night resulted in large amounts of half-used wax, which Fortnum promptly resold for a tidy profit. He joined forces with his landlord Hugh Mason and Fortnum and Mason was born.

In the 1950’s, Edward Bawden created these amazing images (below) to celebrate the origins of the company.

Working with Otherway. These wonderful, mildly bonkers illustrations were scanned, chopped up, then brought them to life in After Effects.

They formed part of a larger internal brand film.

A smörgåsbord of social assets I designed and animated whilst working alongside the good folk at Redwood BBDO.

Adidas were launching the world’s first interchangeable football cleats. Whilst working at Iris, I was involved in the early stages of creating a motion identity for this game changing product. A boot and brand that was always moving, adapting: unapologetically disruptive.

From my time at DDB Remedy. A case study detailing the work that went into a massive pharmaceutical event to celebrate the launch of a new drug.

I was responsible for create animations and videos for the colossal panoramic screens that dominated the stage.

It was a pleasure to work with the talented Craig Heathcote, a director who is the the brains behind a series of six short films about Sink the Pink, a wildly popular drag night in Bethnal Green.

I designed and animated these titles that formed a small intro to an intimate and refreshingly honest series.

Check out the films and Craig’s other work here.

Whilst working at Dalziel & Pow, I concepted and animated these animations to explain the features and benefits of four new products available in store. With a playful, approachable tone of voice. They provided a jumping off point for O2's Guru service.

The start of the year can often be a quiet period for freelancers, but it also creates a good opportunity to work on some personal projects. Hence this silly little animation.

P.S I had an idea for a fun little animation and I knew enough about Cinema 4D to struggle through, but I’m not a 3D animator. These days I leave that to the 3D pros and concentrate on coming up with the silly ideas themselves.

Mercury fx are a global currency specialist offering a fresh, secure alternative to the banks.

This animation was created to promote their no-nonsense currency services, whilst gleefully throwing shade on their competitors along the way.